art

 

participations & exhibitions

group exhibition ENKEL:INNEN, Kunst Haus, Potsdam 2025

group exhibition MEMORY.INTERCHANGE, War Museum Kyiv, 2025

artist grant and one-month residency at Künstlerhaus Lukas, 2025

artist residency for the project ENKEL:INNEN Schloss Wiepersdorf, 2025

group exhibition ISO-IT, MyPlace Storage, Potsdam, 2025

 

 

artist residency and grant "Spiegelhand" Kyiv, 2024

civic ignation grant, Burners Without Borders, 2024

artist residency and grant "Ich komme und sehe" Kyiv, 2023

member at artifact e.V. Potsdam, 2024

enkel:innen, 2025

In seemingly harmless landscapes, Neidlinger digs for traces of violence and appropriation. In search of an interface between history and the past, Neidlinger combines organic elements with videographic field notes to create an installation in the exhibition. 

Ein.Graben, 2025 - mulitmedia installation: sand pile, 4-channel video 

"While my Ukrainian friends dig trenches to defend their land from another occupier, I dig into the sandy soil at the border between Lithuania and Kaliningrad. My great-grandfather was born here. He once came to occupy Ukraine — the land that Polina Kuznetsova now calls home, hammering nails into boards for as many days as Russia’s aggression continues."

The exhibition project “ENKEL:INNEN” at the Kunstverein KunstHaus Potsdam brings together Jewish and Non-Jewish (great)granddaughters  both with family ties to the Shoah. The artists are investigating their individual and collective approaches to transgenerational heritage and trauma in art.

EXHIBITION
KunstHaus, Potsdam
07. September - 02. November 2025

Defence, 2025 - durational performance and installation by Polina Kuznetsova

ISOit, potsdam, 2025

... opens up aesthetic positions on standardization, duplication, atomization and also on counter-movements of eruption, resistance, excesses of connection, fertilization, contamination in parcel-like insights. Thinking in networks, psychology and the real in love, feminist positions of being-with and care-full ethics.

hereditary guilt: concrete, 2025

"If the violence of our ancestors is inscribed in our bodies, what right does my body have to move, to show itself, to be itself?"

In its compactness, concrete gives us a feeling of security and stability. A baby bath as a place of loving care. The installation is a personal and collective confrontation with National Socialist heritage.  The artist has been in the Ukraine for years, documenting, working and living there. Only recently did she learn that her great-grandfather was a Wehrmacht officer from 1941 to 1943 in the very places she has gotten to know so well. Suddenly her German body gets a new, concrete context. A legacy that cannot be washed away. The promise of protection and care suffocates in a material that does not forget. 

EXHIBITION
MyPlace Storage, Potsdam
27. June - 27. July 2025

memory.interchange, kyiv 2025

Eva Neidlinger is exhibiting the war diary of her great-grandfather as well as the photographs he took in Ukraine between 1941-1943. Her artistic reflection comes along with the three channel-video installation RECONNAISSANCE, 2025. 

Based on the encounter and idea of Polina Kuznetsova and Eva Neidlinger and the realization of the curators Maryna Bohush and Yurii Horpynych the exhibition Memory.Interchange in the Museum of War in Kyiv is founded on the family stories of three artists who are communicating through their collaborative art: Polina Kuznetsova from Ukraine, Eva Neidlinger, and Jenny Alten from Germany. Their family histories, which intersected in the past, provide a foundation for reflecting on the memories that World War II has left behind in Europe. 

This project is commemorating the 80th anniversary of the end of  World War II - day of Europe. It serves as a research platform that explores the experiences of ancestors whose lives were shaped by the forces of logic and absurdity, fear and hope, as well as the disruptions of daily life during wartime and occupation of Ukrainian land.

 

This exhibition is funded by the German Embassy Kyiv and supported by Goethe-Insitutie UA.

EXHIBITION
Kyiv War Museum
Opening May 2025

enkel:innen, schloss wiepersdorf, 2025

The exhibition project “ENKEL:INNEN” at the Kunstverein KunstHaus Potsdam brings together Jewish and Non-Jewish (great)granddaughters  both with family ties to the Shoah. In the context of their group grant at Schloss Wiepersdorf the artists are investigating their individual and collective approaches to their transgenerational trauma in art.

fragments & illusions, kyiv 2024

Beton or бетон in both Ukrainian and German language, becomes the unifying material in this collaborative investigation. For both artists, it serves as a powerful symbol of construction and destruction, permanence and fragility, connection and division. Maksym, based in Kyiv, began working with concrete in the winter of 2022, sinking ready-made objects into its liquid form to create new and distorted connections. Eva, who has had ties to Ukraine since 2008, was drawn to the material since noticing its omnipresence in connection with war. Through her video work, she documented the fluidity of concrete as it was molded, altered, and destroyed—a picture for the fleeting nature of stability.

Their collaboration emerged as a process of meeting through the sensuality of the material—finding a common language that transcends the limitations of spoken word. Their associations are highly personal and deeply contextual. As artists from two countries living through the experience of war very differently, they engage with the material in ways that reflect their own experiences of fragmentation and resilience. Their art speaks to this shared exploration, where differences of language, culture, and identity fade into the background as their collaboration becomes an independent perspective, joining the two.

And as the fragility of security in Ukraine is more real than ever we want to dedicate this exhibition to our friends at the frontlines, making sure that we can keep the places to create. Shooting down the endless amount of drones and rockets over our heads, every day and every night. Keeping the enemy out of as much Ukrainian territory as possible with their own bodies and lives. Many of whom could be creating incredible art themselves now, create a future together with us. Please support our friends in their defense and medical units, and the volunteer organizations who keep on doing their valuable work

on the sharp edge of a broken stone, kyiv, 2023

As a result of the artist residency "Ich komme und sehe" the exhibition "EXTERNAL FACTORS" exhibited the photo series "On the Sharp Edge of a Broken Stone" by Eva Neidlinger. The artist contemplated on the material of concrete and the ressonance of trauma from nearly 80 years ago when Nazis occupied Ukraine.

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